By Jerome McGann
A manifesto for the arts within the electronic age, A New Republic of Letters argues that the background of texts, including the tools during which they're preserved and made to be had for interpretation, are the overriding topics of humanist learn within the twenty-first century. conception and philosophy, that have grounded the arts for many years, not suffice as an highbrow framework. Jerome McGann proposes we glance in its place to philology--a self-discipline which has been out of style for lots of many years yet which versions the troubles of electronic humanities with staggering fidelity.
For centuries, books were how you can defend and transmit wisdom. yet as libraries and museums digitize their data and readers abandon paperbacks for pill pcs, electronic media are exchanging books because the repository of cultural reminiscence. whereas either the project of the arts and its conventional modes of scholarship and demanding research are an identical, the electronic surroundings is riding disciplines to paintings with new instruments that require significant, and infrequently very tough, institutional adjustments. Now greater than ever, students have to get better the speculation and approach to philological research if the arts are to satisfy their perennial commitments. Textual and editorial scholarship, usually marginalized as a narrowly technical area, may be made a concern of humanists' attention.
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Extra info for A new republic of letters : memory and scholarship in the age of digital reproduction
Rather, Death and mortality are presented as human life’s primal limit conditions. Hence his approach to his subject through Hellenic rather than the available Judeo-Christian traditions. Second, Stiegler assents to the basic myth of all science: that knowledge, though fated to fail, is nonetheless an absolute human good. This is why, looking at science in a philosophical perspective, he calls “the history of philosophy . . a history of mistakes, awkwardnesses, distortions, and sinister failings that had to be” (TT 210).
The depository of artifacts must be comprehensive. D. G. Rossetti’s original works, The Rossetti Archive and From Lexia to Perplexia, all share the common space of an emergent cultural history. Although I’ve set aside all discussion of audio and visual materials (including film and television), I mention them here in passing to underscore the requirement that the archive be comprehensive. 2. Its different parts must be organized in a network of internal links and external connections that can be represented as conventions.
What he can (and does) do is repeatedly fix and reestablish that fault so that it can be unpacked for further exploration. 40 from history to method A note on Stiegler’s procedure: Tying his discussion to a commentary on the ancient Greek myth of Prometheus and Epimetheus, he argues that technology and science are forms of cultural memory and should be pursued and investigated as such. That is for him their deepest instrumental function. But something else is important here. Stiegler fails to invoke two other cultural deposits even though each has been, historically considered, common points of reference for these topics.
A new republic of letters : memory and scholarship in the age of digital reproduction by Jerome McGann