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By Paul Henry Lang

Simply because I spent my youth in Leipzig, a urban which resounds with echoes of Bach and the total musical international, i've got constantly had the belief of 1 day getting ready a pictorial historical past of track. This current publication is the end result; it combines components of my expert existence as a photo historian and my deepest lifestyles as a cheerful lover of music.
A pictorial heritage of song can by no means be purely an image album, even if, for no quantity of illustrative fabric can on its own create a significant landscape of track. There has to be, as well as photos, an intrinsic plan, a unified viewpoint which the reader can grab and use to accomplish comprehension

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A The man of the Baroque, animated by new cerebral fervor, loved unrest and ten- sion and the overwhelmingly Baroque and harmony of proportions in % The pathetic. frowned upon artist form strict as being too narrow and coercive. The new attracted him; and the more astounding, the more contrary to accepted canons of he welcomed art, more the it. This Baroque search for new and dynamic expressiveness appears effects in the works of the most radical member of the called chromatic school, do, Prince of Venosa aldo appears as Don (ca.

His music, inspired hij Italian forms, German expressed the depths of Protestant religious feeling. Schiitz among kirche of his singers in Dresden. the Schloss- His church concertos were precursors of the German cantatas. Athanasius Kircher (1602-1680), a learned Jesuit priest of the 17th century, a treatise on music. Robert Fludd's Temple of Music related har- mony Musk: Art or Baroque Science opera and the expression of to architectural proportions. oratorio excelled in human emotions. But Conversely in the became scientists phenomena interested of music.

Of particular dis- arrangement Bach found the elements he needed: on the one hand the solid churchly tradition, the unaltered narration of the Evangelist, dramatized by the choral settings of the cries of the people and the oratory of the soloists; on the other, the tender reflections upon the Lord's sufferings which correspond to the feelings of Entrance to of its interior St. Thomas' Church and view during a Sunday service. BACH'S INSTRUMENTAL WORKS a vocal composer Bach shows As putable limitations of his al- most oppressive greatness; instru- in spite L in his indis- mental music he stands before us unrivaled and above any nical.

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A Pictorial history of music by Paul Henry Lang

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